My heart is fed by so many tributaries
and spits and splits at least two ways!
How difficult to keep straight
what quickens circulation, who eases its pace:
a lose-lipped smile here, fingers dancing on letters there;
the openness of letting and the strung bow;
the tight wanting of one truth and still, wide planes
that laugh at those.
What is love if not a contra dance
where many arms spin many beings,
where we share the floor - no one's territory -
and the music moves the mood we've got to ache with to obey?
Monday, March 11, 2013
How to Read Poetry
"What is poetry? And why has it been around so long? … When you really feel it, a new part of you happens, or an old part is renewed, with surprise and delight at being what it is...The first thing to understand about poetry is that it comes to you from outside you, in books or in words, but that for it to live, something from within you must come to it and meet it and complete it. Your response with your own mind and body and memory and emotions gives a poem its ability to work its magic; if you give to it, it will give to you, and give plenty." - James Dickey, author
Tuesday, February 26, 2013
Did you
ever
see a hummingbird
Try and flirt with a
hedgehog?
It is an odd sight indeed!
First a
hedgehog is walking along
Minding its own business
Then a hummingbird swoops in!
Wings
beating one hundred miles an hour
And examines the situation.
Upon
deciding that the situation
Looks
sweet enough
It begins to poke the
hedgehog
With
its long pointy beak!
Then the hedgehog
Not knowing what else to do
Curls
up in a ball, spikes up
Even though it knows
The hummingbird advances
Are
not threatening
But merely annoying.
The
hummingbird hopes
To tickle the hedgehog
Between
its quills
Until in a fit of giggles
The hedgehog rolls on its back
Legs kicking in the
air
So the
hummingbird can
Fan cool air
around
The hedgehog with its
Very tiny wings
Letting
it relax
Defenses down.
But the question
Remains still
What kind
Of Bird
Flirts With
A hedge-
Hog?
Just
a
Hummingbird
That
is delightfully
Kind of crazy
And Strange
Thursday, February 14, 2013
Tires
If you want your children to be safe
Buy them tires for Christmas.
Go to Michelin, ask them:
What are the tires that ambulances use?
Ambulances are like twenty-seven year olds:
When they do move, it is always an emergency
They are skidding toward, through red lights
And around corners fatal with ice.
This is how emergency pile-ups happen:
You start with one and in your efforts to get to it
You cause twelve more.
But since you can’t teach them this,
Because everyone needs to do her time as an EMT,
Just buy your children the types of tires
That they put on ambulances
And let them care about for their world
In this quick, bright, heavy, wild way.
Monday, February 11, 2013
Reminding Myself of Bodhicitta
When the path is unclear
And the way feels confused
Restrengthen bodhictitta
Restrengthen joyful effort
And realization will surely follow
The blessings of the masters
Are not mystical, not magical
They bless by example
Because we can identify
With their wisdom minds
The path we take in this life
Is not important
So long as everything we do
Is completely surrounded
With pure, simple, loving intention
The fruit of this love
The fruit of this beautiful intention
Is the merit we dedicate
To all sentient beings
This love expands inexhaustibly
To take on the suffering of others
Is ungrounding because eventually
We don’t know who’s giving
And who is receiving
Lost, we melt in a field of awareness
In this field of awareness
Is suffering, suffering thoroughly
Thoroughly pervaded with love
In this beautiful, awesome, lonely place
Our bodhicitta is our only refuge
As our strength and resolve
And confidence in bodhicitta increase
Through our own great effort
This profound space
Becomes more refined and beautiful
To be comfortable within
This groundless field of awareness
So uncertain, yet so very firm
Is the greatest blessing
And the greatest goodness
From within this space
What is most beneficial for oneself
Is what is most beneficial for others
Because the only way to stay relaxed in space
Is through great love, and love is selfless
In opening awareness through bodhicitta
I know I have no realization
Nothing compared to the masters
But I see their examples
And I cry tears of devotion
Friday, January 25, 2013
Hummingbird Wars
A house surrounded
By emerald trees and
hummers
Is where I grew up!
In the grass I read
While they fought
sharp and speedy
Wars above my head:
Elegant and fierce,
Flitting, darting past
my cheeks.
Fear shrunk then
shamed me.
Don’t crash
into me!
I thought. Be still! I
want to
See how green you are!
Sometimes, on the
porch
Ropes, hung with cups of
nectar
By my mom, they did.
Then I would watch
them
And I wouldn’t breath
at all
Until they flew off.
Wednesday, January 23, 2013
Some Poems on Holding
In the Soul's Soil
It takes about seven hours.
And they do a few thousand a year,
about 800 people die waiting
for a suitable heart.
He knew a kid who memorized amazing facts
about the heart. It’s
hard to do,
but not that hard to understand,
the kid would say about transplanting.
It’s very different from a tree –
the soil will take any tree, but the body’s big on
rejection.
In My Father’s Woodshop, Learning to Hammer
“Don’t hold it so tight,” he would say,
bouncing the hammer by the very end
of the handle with ease.
I gripped the narrowest bit of neck,
I gripped the narrowest bit of neck,
right up under its iron head, and tapped carefully
like it was a hard third thumb, not some wild
wonderful limb full of as much power as danger.
From the corner of his eye, he watched
at the smallest angle from glancing away
so that each time my nail went slowly crooked
it took only a slight adjustment of the eyes not to see.
He did not believe you could gently create
a corner, a union. Either you flattened your own finger
From the corner of his eye, he watched
at the smallest angle from glancing away
so that each time my nail went slowly crooked
it took only a slight adjustment of the eyes not to see.
He did not believe you could gently create
a corner, a union. Either you flattened your own finger
or someone else’s.
But after the thumbnail
had turned black and fallen off,
the box held treasures inside
its square hand and held together.
Types of Dishonesty
She took a perfect glass orb to bed.
In the morning, her palms glittered
And her sides ached as if she’d laughed all night
At some unimaginably happy thing.
He went to bed with a cup of paint
And held it upright all night.
No one could guess in the morning.
And even he sometimes forgot the color.
At the store, at the check out,
They dropped a bag of peaches.
He cut around the bruises and
She insisted upon eating them.
A Grip Holds No Release
Sudden
falls revitalize the enemies
of
deceit: Maroon is not purple,
but
maybe we are me.
For
any reason, emptiness
volunteers
to leave.
Time
proposes many mountains
then
takes some down.
Just
cast a stone to rip water!
But
know: it can’t scar,
it
sews itself back up.
(I’m
having a harder time.)
Trees
also won’t negotiate.
But
if a fence stands too close,
they’ll
swallow its wire very slowly.
Think
of those barbs, shouting on
their
sharpness inside a trunk.
Such
patient humor lives in trees!
The
work finalizes the reason we began it.
But
some work has no reason.
Some
reasons need no work.
Friday, January 11, 2013
Avoiding Detection
Editing inspired by Geoff's lie detection know-how.
Avoiding Detection
Avoiding Detection
At the airport, at
security, I’m not.
I’ve got the look
of someone with sneakers
full of little bombs,
detonators between
my toes.
On the interstate, when
a cop car lurks,
idle in the median,
I can’t seem to keep
straight the wheel
as a sober person
should: without trying
too hard. You look at
me, I look off.
The bomb behind my ribs wobbles
my legs like a drunk’s
legs;
your voice resonating in
me: the detonator.
Why feel so suspect trying
to get any place
as if love takes lives
on its way?
Only lint is between my
toes, and it’s not you who’s going
to explode if you find the button your finger is on,
it’s me.
Monday, January 7, 2013
I am going to buy you a tuba because you deserve to understand
If you want to know the truth, the truth is this: when you lived in the apartment under mine, I use to jump up and down on purpose. I've lived under people with toddlers and people who don't trim their dog's nails and maniacs who seem to be dancing with their furniture all the time and people who buy their teenagers stereos with bases even though their kids like death metal and clumsy people and angry people who let it out mostly through their heels. I've lived under all kinds of loud. So I know how it is. That's why I did it.
In fact, when you moved in, my bedroom had wall-to-wall carpeting. It was green and thick and I liked to sit on the edge of my bed and wiggle my toes in it like it was grass, yarn grass. But then I realized how it muffled the impact of my jumps, so I had it torn out. I paid the kid who lives next door, the one with the lopsided haircut and those hideous cargo shorts whose mom pretends not to smell that he's always sneaking cigarettes out his bedroom window. You've seen him from down there, too, I'm sure. He came in with some big pair of red garden sheers and tore my little bedroom yard right up. That night, when I heard you come home, I jumped from the bed to the floor 17 times, instead of just jumping in place. I'm sure you remember this.
Sometimes I did it because it felt like justice. Other times I did it and felt like an elephant. Sometimes, I just needed something to be sorry for. You don't know it, but after the worst bouts of stomping -- the ones where I ran from wall to wall in high heels -- I often put my ear on the floor afterwards to see if I could hear anything.
But your very quiet. You are so, so quiet. You only ever make noise when you are coming or going, practical noise, noise in passing. At first, I thought that's what I liked about you. I thought that's why I was doing it. Like: you would knock on my door and I could say it to your face: oh, I am so sorry! Then I would make it up to you some sweet way that maybe would become just sweet with no making up and then maybe after that just making out.
Later, I realized I was doing it because I hated you. Because you were too quiet. Because no one has a right to be that quiet. There are a lot of reasons to make noises, you know! That's what I am trying to say. Because you love, because you hate, because you want to be an elephant. Or even a kangaroo.
You moved out. At least, I think you moved out. To be honest, it sounds the same -- when I lie with my ear on the floor I only hear the pipes snickering like before. Still, I feel like you did.
But look, you deserve to understand about all this! And so here is what I am going to do for you, I have it all planned out finally: I am going to buy you a tuba. There's a store in Watertown. They sell used instruments, tubas that have been rented to middle school band students who became too popular and had to play soccer instead, pock marked tubas, tubas covered in dents. They're the sort of ugly that means no-expertise-required! and nothing-to-lose! If you get frustrated, you can even throw a tuba like this at the living room floor. It won't matter. Things that can survive middle school are virtually indestructible.
But look, you deserve to understand about all this! And so here is what I am going to do for you, I have it all planned out finally: I am going to buy you a tuba. There's a store in Watertown. They sell used instruments, tubas that have been rented to middle school band students who became too popular and had to play soccer instead, pock marked tubas, tubas covered in dents. They're the sort of ugly that means no-expertise-required! and nothing-to-lose! If you get frustrated, you can even throw a tuba like this at the living room floor. It won't matter. Things that can survive middle school are virtually indestructible.
But you have to play it. That's why I am getting it for you. The jumping and the high-heel running, it isn't working, I know. But maybe if I get you a tuba. Maybe that will help.
Saturday, January 5, 2013
Everybody Needs a Geoff
Everybody Needs a Geoff
I first saw you on the grass
Wooden swords you swung so fast
I was swift and on the go
Who is that there? Fucking weirdo
Hours passed, the day was late
I knew you were my new roommate
Fear gripped my heart, for I could see
You touched too much, damn, don’t touch me
Later on that night I found
That we had some common ground
You had taken mushrooms too
A different aura surrounds you
You told me then infused with love
How heart’s broke open, spread above
Tumult and strife, and death, and sex
A strange and wonderful, loving hex
The hex you spread to me as well
Through hundred days of vajra hell
I wrestled, shrieking, scalding pains
That filled my chest, I shook, insane
You kissed my foot a fated night
And I recoiled for in your sight
Spontaneous moods arise and pass
And I was thinking of my ass
About my ass? O yes I say!
The love between us grew each day
And in that vibrant loving space
Confused thoughts of sex were laced
But later on I came to see
You did not want to cum in me
Nor I in you, and this is solved
Our love so strong, and uninvolved
4 months passed, retreat was done
In pre-dawn light we climbed, for fun
Protector’s hill and in the ice
Glittering diamonds, dazzling, nice
Supporting me through each tirade
That my restless ego made
You showed your friendship right away
And now continue every day
What joy it is to live with you
My dharma brother, Vajra boo!
This poem seems silly, uninspired
But so deep down my love is mired
Cause everybody needs a Geoff
Until no suffering is left
In all the worlds, in all of space
In you I see the Buddha’s face
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